Comic Bill Dana turns 86 today.
Dana's
career just about spans the history of television. He was a star on the small
screen beginning in the 1950s on the Steve Allen Show, and on record, and
later, his writing talents came to the fore--he wrote the famous episode of
"All in the Family" where Sammy Davis Jr. visits the Bunker
household--and that is basically what he is known for today.
However, in
a different place and a different time, he was Jose Jimenez.
My name ...
Jose Jimenez!
For those of
you who have no idea who Jose Jimenez was, or is, since Dana brings still
brings him out on occasion, Jimenez was Dana's most famous creation, a Mexican
who was enamored with the American way of life, but who was often overwhelmed
with what he saw around him. This character had a heart of gold, but often
didn't fully get what was happening around him ...
Or did he?
And that was the charm of the character, who was often more worldly than you
thought he was.
Dana's
character was all over TV in the early 1960s, and he scored on a number of records.
His most famous was "The Astronaut," which is pretty self
explanatory.
However,
there was a problem, which forced Dana to put Jose Jimenez in mothballs, only
to come out occasionally for the past 45 years or so.
Dana was
Jewish, and his character was full of Mexican stereotypes, including his
accent, his supposed dimwittedness, and even his look.
Way back in
the early 1960s, stereotypes were basically laughed at, except when they turned
cruel. Although the Jose Jimenez character was not a cruel caricature--in fact,
the character showed a lot of reverence for those immigrating to this
country--Dana received lots of barbs from people taking offense to his
character.
So, by the
late 1960s and early 1970s--when laughing about ethnic stereotypes were
perceived as becoming less and less funny by many people--Dana mothballed the
character.
But he
didn't mothball the idea of laughing at ethnic stereotypes, as the
aforementioned "All in the Family" episode demonstrated.
Dana
continues to write and to perform today, and while the Jose Jimenez character
is pretty much a creation of the 1950s and 1960s, in this politically correct
world we live in today, I think that we have much to learn from this supposedly
slow-witted character.
We can learn
to laugh at ourselves for both our faults as well as our triumphs. And I think
that was Dana's point when he created the character.
And what's
wrong with that?
I mean, if
we can't laugh at ourselves, who can we laugh at?
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